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Rob Yes. But the meaning of clothes goes far deeper than what you should or shouldn't wear in the workplace, Will. It can really influence what people think of us. Now, rightly or wrongly, they can make snap judgements - or quick decisions - about us. One cinema movies
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One cinema movies In the great city where he lived, life was always gay. Everyday many strangers came to town, and among them one day came twoswindlers. They let it be known they were weavers, and they saidthey could weave the most magnificent fabrics imaginable. Notonly were their colors and patterns uncommonly fine, but clothesmade of this cloth had a wonderful way of becoming invisible toanyone who was unfit for his office, or who was unusuallystupid.
Keeping only the clothes that give me a spark of joy has allowed me to relinquish items that I've been keeping out of one kind of guilt or another —that I bought something and never really wore it, because someone else gave it to me, or because it's wasteful to get rid of something that's perfectly 'good.'
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What about non-white people who wear technical clothing eh? I m 1/2 yellow and 1/2 white and I wear a ridiculous amount of technical clothing. Although I always want to go camping, I m not so stupid as to think my buddy s going to call an impromptu session of hiking and paddling. I for one wear technical clothing because I m a paranoid bastard. When those zombies come, you want to be hunkered down in a makeshift shanty dressed in cotton, that retains water and chills you when the temperature drops? I think I ll stick with my technical clothing. I may look like a douche, but damn yo, how many hipsters look like douches and are just gonna be eaten by zombies because they can t run in their drainpipe jeans? Sheeit yo, it ain t just white people wearing clothing that works, that in itself is degrading to people of other shades. What, because I m 1/2 Chinese I can t be (paranoia-fuelled) practical? C mon!! Summer's end music festival grand manan
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Most stock quote data provided by BATS. Market indices are shown in real time, except for the DJIA, which is delayed by two minutes. All times are ET. Disclaimer . Morningstar: © 2015 Morningstar, Inc. All Rights Reserved. Factset: FactSet Research Systems Inc. 2015. All rights reserved. Chicago Mercantile Association: Certain market data is the property of Chicago Mercantile Exchange Inc. and its licensors. All rights reserved. Dow Jones: The Dow Jones branded indices are proprietary to and are calculated, distributed and marketed by DJI Opco, a subsidiary of S&P Dow Jones Indices LLC and have been licensed for use to S&P Opco, LLC and CNN. Standard & Poor's and S&P are registered trademarks of Standard & Poor’s Financial Services LLC and Dow Jones is a registered trademark of Dow Jones Trademark Holdings LLC. All content of the Dow Jones branded indices S&P Dow Jones Indices LLC 2015 and/or its affiliates. 118 226
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Why you should come see Ordet
Long praised for its cinematography, Dreyer’s ‘Ordet’ is a strange little film. Ostensibly religious, it refuses dogma to embrace uncertainty and hope, and even (god forbid) the miraculous.
The film revolves around a farmer’s family. He has three sons: one is agnostic, one has fallen in love with a fundamentalist’s daughter, and the third believes he is Jesus Christ. Sounds a little like my poker group.
The plot revolves around their interactions, but really is it the characters themselves who command the film, at times speaking as though there is no camera, no audience, even no other actors.
Dreyer is more well known for The Passion of Joan of Arc, and Ordet is undoubtedly a more difficult film, resisting easy analysis and demanding, especially at the beginning, patience from the viewer. But as Roger Ebert remarked, “once you’re inside, it is impossible to escape.” There is a strange, almost sexual undercurrent running through scenes which appear on the surface clear and pristine. Its very style (only 114 shots, each averaging over a minute, and only 3 close-ups) is part of the narrative; it works on the attentive viewer slowly, relentlessly, and with a subtle grace.
If you haven’t seen Dreyer before, keep Wednesday night free.
“When the film was over, I had plans. I could not carry them out. I went to bed. Not to sleep. To feel. To puzzle about what had happened to me. I had started by viewing a film that initially bored me. It had found its way into my soul. Even after the first half hour, I had little idea what power awaited me, but now I could see how those opening minutes had to be as they were.”